The Gifted is a Prequel to X-Men: Days of Future Past, & Here’s Why

Unlike everyone else in movies right now, those at Fox seem a little leery about the idea of a connected universe. There was a lot of speculation that Logan might exist in its own continuity, whilst Legion and The Gifted are keen to go it alone judging by production comments. In fact, it’s been suggested via offhand remarks that the latter is part of its own X-Men universe. Think mutant continuity is complicated enough? Apparently not.

There are advantages to separate continuities (the ability to do whatever you fancy being one of them), but it’s also a missed opportunity. Firstly, it seems like a waste to ignore the world-building Fox’s movies have achieved through much blood, sweat, continuity errors, and tears. Second, there are sneaky ways of slotting it into established canon should they choose to do so. It would appear that Fox have left themselves an escape-hatch into the Singer movie-verse.

This probably isn’t going to end well – concept art for X-Men: Days of Future Past by Goran Bukvic

How? With the right spin, The Gifted could take place a few years before everything hits the fan in Days of Future Past. Quick, to the speculation-mobile!

WARNING – there are spoilers for The Gifted ahead.

In the Days of Future Past timeline, the X-Men are gone and killer robots have wiped out swathes of humanity by the year 2023. A handful of mutants still battle for survival, but defeat is now a foregone conclusion; it’s the end. How does this relate to The Gifted, though? Four years prior to that series, mutant riots caused a disaster known as ‘7/15’. Following this tragedy, the government enacted a crack-down on mutant rights. The X-Men and Magneto’s Brotherhood have long-since vanished as well, and now those with powers are being rounded up and/or turned into mindless flunkies known as ‘Hounds’ (using similar techniques to the ones in X2, no less).

This tracks with where we left Wolverine and co. in The Last Stand. The X-Men are basically over; Cyclops, Jean Grey, and Professor X are dead, leaving Storm to head up Xavier’s school before it’s shut down by the military a few years later (this is revealed via promotional material for Days of Future Past). Meanwhile, Logan’s bolted for the wilderness in The Wolverine. Even Magneto’s out of the picture; he’s lost his powers, any followers he gained were rounded up, and his right-hand woman Mystique has been stripped of her abilities too.

As such, what’s left of these teams (Iceman, Kitty Pryde, Colossus, etc.) are attempting to help mutants on the down-low despite being picked off one by one. The likes of Angel and Beast are killed by ‘human first’ activists, for instance. It’d therefore make sense for The Gifted’s 7/15 disaster to force the team into hiding at last. It’s the straw that breaks the superpowered camel’s back.

There’s plenty more to connect these stories, too. Blink – the teleporting mutant who appears in both – helped a group of mutants escape prison shortly before the present in Days of Future Past. This tallies with The Gifted’s premiere where she’s hiding after breaking out of jail. Similarly, The Gifted includes Thunderbird, the brother of Warpath in Days of Future Past, and Eclipse, a mutant with comparable powers to the movie’s Sunspot. Their presence – not to mention that of Sentinels, inhibitor collars, and Doctor Campbell (a character who goes on to become a renowned mutant-hunter in the comic book version of Days of Future Past) – only strengthens the relationship between the two.

Then we come to Trask Industries, the smoking gun of this whole theory. They’re the company responsible for Sentinels in Days of Future Past, so their role in The Gifted suggests a connection. It may be a coincidence due to the brand’s iconic role in X-Men lore, of course, but their presence sets up a possible crossover should Fox want it. Equally, Reed (one of The Gifted’s protagonists) mentions that Trask was meant to have been shut down in 2006. Funnily enough, this is when The Last Stand’s set and a short-lived renaissance for mutant rights takes place. It feels as if Fox has left themselves room for to two to be married up somewhere down the line.

I’m more than game for this. How cool would it be to end The Gifted on the opening of Days of Future Past, or run concurrently with it? And anyway, isn’t the X-Men timeline confusing enough without another separate continuity/universe to get our heads around?

Check back each Friday for more as I go into the weeds on pop-culture story, lore, and settings.

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Logan: What Happened to the X-Men?

Days of Future Past was a great send-off for the X-Men, all things considered: although we’d watched them be systematically murdered over its two-hour run-time, the final scene (which showed the team alive and well) ended their story on a satisfying note. After six films of heartache, they’d finally gotten their happy ending. However, Logan shows us that we spoke too soon. The X-Men are gone a mere six years later, mutants are dying out and the gruff but heroic Wolverine is a battered shell of his former self. Even Professor X is a husk of what he once was, stuffed out of sight in an overturned water-tower and babbling incomprehensible Shakespeare. It makes you wonder where everything went wrong.

Discussing that takes us into spoiler territory, so be warned – come back later if you’ve not yet seen the movie. The reveal is handled brilliantly, so I wouldn’t want to ruin it for you here.

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No matter what, it’s a far cry from the X-Mansion – concept for Logan by Shae Shatz (via i09

Logan may not give us much to go on, but the scant information it does provide is nothing short of heartbreaking. We learn that several people (upwards of 600, in fact) were injured in an event the film calls the ‘Westchester incident’: as a news anchor points out after the climactic battle in a casino, the effects of this were eerily similar to those seen when Xavier has his seizures. More distressingly, seven mutants were killed in this disaster. Because Westchester is the location of Xavier’s famous school, the implication is clear.

The fact that Professor X’s illness left most of his students in danger is devastating, especially considering how many of them were children. Indeed, while most assume the mortalities were classic X-Men – and director James Mangold alludes to as much – it’s possible that some of those victims were children in the first place. It would certainly add more incentive for Wolverine to keep the truth from his ailing mentor. For a teacher whose pupils’ safety is their highest priority, this is more damaging than any supervillain could hope to be.

Either way, it’s a deeply tragic turn of events. The X-Men thought they’d escaped the end of days but it found them nonetheless. The horror of not knowing exactly what happened makes things infinitely worse, meanwhile: we’re left hanging when it comes to our favourite characters. Are the likes of Cyclops, Jean Grey and Storm still alive? We’ve got no idea. As Logan’s writer points out, those deaths may not even have been of characters we knew.

That said, we can do some reading between the lines here. Jean is almost certainly a casualty. As one of the most powerful mutants out there, I can’t imagine she’d drop off the radar. Her demise would also emotionally destroy Wolverine all over again, adding to the cynicism that oozes out of his every pore in this movie. He went through hell and back to change the X-Men’s past, so things still going wrong would utterly break him. It’s a similar argument where Storm and Beast are concerned. They’re much too influential not to leave a footprint on Logan’s world, yet there’s little sign of mutants beyond Wolverine’s friends or the children they’re trying to save.

The only hero I can see making it out alive is Kitty Pryde, mostly thanks to her ability to phase through matter. Could she be hurt if intangible? Who knows. I suppose the likes of Cyclops could have survived and faded into obscurity too because of his penchant for angst, but I say that mostly because I’d love to see a story that adapts recent comics where he’s a Magneto-like extremist.

I don’t suppose it matters. Life sucks anyway if you’re a mutant by the time we hit Logan, regardless of whether you were present for the Westchester incident or not. Disturbingly, the mutant race went out with a whimper rather than a bang this time: thanks to foodstuffs that attack mutant-genes in carriers, no more can be born. In a dark twist, the DNA of older mutants is also co-opted as for experiments like Laura. Judging by our protagonist’s desperation to reach the Canadian border, we should probably assume that it’s one of the few countries with any protection left for Wolverine’s kind. Things are truly grim.

That’s a recurring theme of the ­X-Men franchise since Days of Future Past – the more things change, the more they stay the same. We see this clearly in Logan. While the timeline’s been altered, the events of prior films seem to have happened in one way or another in spite of the change. Professor X references the Statue of Liberty from the original movie, Wolverine still has his X-Men Origins dog-tags and he’s held onto the samurai sword from The Wolverine. One of the only alterations is the revelation that Wolverine had a drug-problem, a virgin career in cage-fighting and a position as an assassin when he was found by Xavier in this new reality. It’s reminiscent of the Ultimate comics version of the character, a series where he was employed by Magneto to kill Professor X.

We’ll probably never see how things shook out, of course – it’s much more powerful it’s left to our imaginations. The upside, though? We’ll just have to watch it again and see if there’s anything we missed. What a shame.

Check back every Friday for a new blog celebrating the characters, worlds and craft of geeky pop-culture.